Pak m\u00eb shum\u00eb se “Tango e Satanait”<\/p>\n\n\n\n
Fituesi i \u00c7mimit Nobel n\u00eb Let\u00ebrsi p\u00ebr vitin 2025, L\u00e1szl\u00f3 Krasznahorkai, vler\u00ebsohet si nj\u00eb prej shkrimtar\u00ebve m\u00eb t\u00eb m\u00ebdhenj epik\u00eb t\u00eb Evrop\u00ebs Qendrore, trash\u00ebgimtar i tradit\u00ebs letrare, q\u00eb shtrihet nga Kafka deri te Thomas Bernhard, e njohur p\u00ebr absurdin dhe groteskun e theksuar.<\/p>\n\n\n\n
Por krijimtaria e autorit hungarez shkon p\u00ebrtej kufijve t\u00eb k\u00ebtij stili. N\u00eb veprat e tij t\u00eb m\u00ebvonshme, Krasznahorkai kthehet drejt Lindjes, duke p\u00ebrqafuar nj\u00eb ton m\u00eb meditues e t\u00eb rafinuar, frym\u00ebzuar nga udh\u00ebtimet e tij n\u00eb Kin\u00eb dhe Japoni. Kjo periudh\u00eb solli disa nga veprat e tij m\u00eb poetike, si romani \u201cA Mountain to the North, a Lake to the South, Paths to the West, a River to the East\u201d (botuar n\u00eb vitin 2022, shkruar n\u00eb 2003), nj\u00eb rr\u00ebfim misterioz q\u00eb zhvillohet n\u00eb juglindje t\u00eb Kiotos dhe flet p\u00ebr k\u00ebrkimin e nj\u00eb \u201ckopshti t\u00eb fsheht\u00eb\u201d, simbol i bukuris\u00eb dhe p\u00ebrjet\u00ebsis\u00eb shpirt\u00ebrore.<\/p>\n\n\n\n
Vepra e konsideruar m\u00eb p\u00ebrfaq\u00ebsuese e k\u00ebsaj faze \u00ebsht\u00eb \u201cSeiobo there below\u201d (2008), nj\u00eb cik\u00ebl prej shtat\u00ebmb\u00ebdhjet\u00eb tregimesh t\u00eb organizuara sipas nj\u00eb rendi matematikor (numrat Fibonacci), q\u00eb trajtojn\u00eb rolin e artit dhe bukuris\u00eb n\u00eb nj\u00eb bot\u00eb t\u00eb verb\u00ebr e kalimtare. Vepra hapet me nj\u00eb sken\u00eb t\u00eb paharrueshme, nj\u00eb lejlek i bardh\u00eb q\u00eb q\u00ebndron i pal\u00ebvizur n\u00eb lumin Kamo t\u00eb Kiotos, i paduksh\u00ebm p\u00ebr kalimtar\u00ebt, metafor\u00eb e artistit q\u00eb krijon n\u00eb vetmi dhe heshtje.<\/p>\n\n\n\n
N\u00eb k\u00ebt\u00eb lib\u00ebr, motivi qendror \u00ebsht\u00eb miti japonez i Seiobo, per\u00ebndesh\u00ebs q\u00eb ruan kopshtin e frutit t\u00eb pavdek\u00ebsis\u00eb, q\u00eb lul\u00ebzon nj\u00eb her\u00eb n\u00eb tre mij\u00eb vjet. P\u00ebr Krasznahorkain, ky mit shnd\u00ebrrohet n\u00eb nj\u00eb alegori p\u00ebr aktin krijues, lindjen e nj\u00eb vepre arti pas nj\u00eb procesi t\u00eb gjat\u00eb p\u00ebrgatitjeje, mjesht\u00ebrie dhe p\u00ebrkushtimi. Personazhet q\u00eb p\u00ebrfshihen n\u00eb k\u00ebto histori jan\u00eb shpesh figura an\u00ebsore, roje, mjeshtra, pun\u00ebtor\u00eb, q\u00eb nuk e kuptojn\u00eb plot\u00ebsisht madh\u00ebshtin\u00eb e krijimit n\u00eb t\u00eb cilin marrin pjes\u00eb.<\/p>\n\n\n\n
Kjo tem\u00eb e bukuris\u00eb dhe e p\u00ebrpjekjes njer\u00ebzore p\u00ebr ta kapur at\u00eb, vazhdon edhe n\u00eb romanin m\u00eb t\u00eb fundit t\u00eb tij, \u201cHerscht 07769\u201d, t\u00eb cilin kritika e ka cil\u00ebsuar si \u201cromanin e madh bashk\u00ebkohor gjerman\u201d p\u00ebr realizmin e tij n\u00eb p\u00ebrshkrimin e trazirave sociale.<\/p>\n\n\n\n
Ngjarjet zhvillohen n\u00eb nj\u00eb qytet t\u00eb vog\u00ebl t\u00eb Th\u00fcringen-it, n\u00eb Gjermani, ku shoq\u00ebria \u00ebsht\u00eb p\u00ebrfshir\u00eb n\u00eb anarki, dhun\u00eb dhe zjarrv\u00ebnie, n\u00eb nj\u00eb atmosfer\u00eb q\u00eb nd\u00ebrthuret me trash\u00ebgimin\u00eb muzikore t\u00eb Johann Sebastian Bach. Libri, i shkruar \u201cme nj\u00eb frym\u00eb t\u00eb vetme\u201d, bashkon n\u00eb m\u00ebnyr\u00eb paradoksale dhun\u00ebn dhe bukurin\u00eb, dy pole q\u00eb autori i shkrin mjesht\u00ebrisht n\u00eb nj\u00eb univers t\u00eb p\u00ebrbashk\u00ebt.<\/p>\n\n\n\n
Personazhi kryesor, Herscht, \u00ebsht\u00eb arketipi i \u201ct\u00eb marr\u00ebve t\u00eb shenjt\u00eb\u201d n\u00eb stilin e Dostojevskit, nj\u00eb shpirt i past\u00ebr q\u00eb, pasi kupton se ka besuar verb\u00ebrisht tek forcat q\u00eb shkat\u00ebrrojn\u00eb qytetin e tij, p\u00ebrballet me nj\u00eb realitet t\u00eb pam\u00ebshirsh\u00ebm.<\/p>\n\n\n\n
Me k\u00ebt\u00eb vep\u00ebr, L\u00e1szl\u00f3 Krasznahorkai v\u00ebrteton edhe nj\u00ebher\u00eb se mbetet nj\u00eb prej z\u00ebrave m\u00eb origjinal\u00eb t\u00eb let\u00ebrsis\u00eb moderne, q\u00eb shkrin filozofin\u00eb, poezin\u00eb dhe absurditetin n\u00eb nj\u00eb reflektim t\u00eb thell\u00eb mbi krijimin, artin dhe q\u00ebndrueshm\u00ebrin\u00eb e shpirtit njer\u00ebzor p\u00ebrball\u00eb kaosit t\u00eb bot\u00ebs.<\/p>\n\n\n\n
\u00a9\ufe0fz\u00ebrionline<\/p>\n","protected":false},"excerpt":{"rendered":"
Pak m\u00eb shum\u00eb se “Tango e Satanait” Fituesi i \u00c7mimit Nobel n\u00eb Let\u00ebrsi p\u00ebr vitin 2025, L\u00e1szl\u00f3 Krasznahorkai, vler\u00ebsohet si nj\u00eb prej shkrimtar\u00ebve m\u00eb t\u00eb m\u00ebdhenj epik\u00eb t\u00eb Evrop\u00ebs Qendrore, trash\u00ebgimtar i tradit\u00ebs letrare, q\u00eb shtrihet nga Kafka deri te Thomas Bernhard, e njohur p\u00ebr absurdin dhe groteskun e theksuar. Por krijimtaria e autorit hungarez […]<\/p>\n","protected":false},"author":2,"featured_media":11719,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,7],"tags":[],"class_list":["post-11718","post","type-post","status-publish","format-standard","has-post-thumbnail","category-aktualitet","category-kulture"],"yoast_head":"\n