{"id":15746,"date":"2026-03-06T06:58:30","date_gmt":"2026-03-06T06:58:30","guid":{"rendered":"https:\/\/zeri-online.com\/?p=15746"},"modified":"2026-03-06T06:58:31","modified_gmt":"2026-03-06T06:58:31","slug":"aktorja-mimoza-marjanaku-rolin-nuk-e-luaj-e-jetoj","status":"publish","type":"post","link":"https:\/\/zeri-online.com\/index.php\/2026\/03\/06\/aktorja-mimoza-marjanaku-rolin-nuk-e-luaj-e-jetoj\/","title":{"rendered":"Aktorja Mimoza Marjanaku: \u201cRolin nuk e luaj, e jetoj\u201d"},"content":{"rendered":"\n

Kur dritat ndizen mbr\u00ebmjeve p\u00ebr t\u00eb rr\u00ebfyer histori njer\u00ebzore, n\u00eb sken\u00ebn e Durr\u00ebsit, z\u00ebri artistik i Mimoza Marjanakut mbetet nj\u00eb prani e q\u00ebndrueshme dhe leht\u00ebsisht e dallueshme. Aktorja i p\u00ebrket atij brezi q\u00eb u formua n\u00eb vitet e tranzicionit, n\u00eb nj\u00eb koh\u00eb kur teatri shqiptar po p\u00ebrjetonte ndryshime t\u00eb forta estetike dhe institucionale. Mes pasigurive dhe k\u00ebrkimit p\u00ebr identitet t\u00eb ri artistik, ajo nd\u00ebrtoi rrug\u00ebn e saj me durim, disiplin\u00eb dhe vet\u00ebdije t\u00eb fort\u00eb p\u00ebr misionin e sken\u00ebs.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Prej vitesh pjes\u00eb e trup\u00ebs s\u00eb teatrit “Aleksand\u00ebr Moisiu”, Marjanaku ka krijuar nj\u00eb profil t\u00eb qart\u00eb artistik, t\u00eb mb\u00ebshtetur n\u00eb k\u00ebrkimin e vazhduesh\u00ebm dhe n\u00eb ndershm\u00ebrin\u00eb me rolin. P\u00ebr t\u00eb, aktrimi nuk \u00ebsht\u00eb thjesht interpretim, por proces p\u00ebrjetimi. \u201cKa personazhe q\u00eb nuk i luan, por i jeton\u201d, shprehet ajo, nj\u00eb fjali q\u00eb duket se p\u00ebrmbledh filozofin\u00eb e saj krijuese.<\/p>\n\n\n\n

Rrug\u00ebtimi i saj n\u00eb aktrim nuk ka qen\u00eb linear, i drejt\u00eb e pa pengesa. P\u00ebrkundrazi, ka qen\u00eb nj\u00eb proces i vazhduesh\u00ebm zbulimi, ku \u00e7do rol ka sh\u00ebrbyer si gur themeli n\u00eb formimin e identitetit t\u00eb saj artistik. Kontakti i par\u00eb me sken\u00ebn mbetet nj\u00eb nga kujtimet m\u00eb t\u00eb forta: momenti kur dritat ndizen, heshtja e sall\u00ebs b\u00ebhet e gjall\u00eb dhe frym\u00ebmarrja e publikut shnd\u00ebrrohet n\u00eb energji t\u00eb p\u00ebrbashk\u00ebt.<\/p>\n\n\n\n

Nj\u00eb nga p\u00ebrvojat m\u00eb formuese n\u00eb karrier\u00ebn e saj ka qen\u00eb ngjitja n\u00eb sken\u00eb p\u00ebrkrah emrave t\u00eb m\u00ebdhenj t\u00eb teatrit shqiptar si Yllka Mujo dhe Guljelm Radoja. Ajo e konsideron k\u00ebt\u00eb bashk\u00ebpunim si nj\u00eb shkoll\u00eb m\u00eb vete, nj\u00eb mund\u00ebsi p\u00ebr t\u00eb m\u00ebsuar jo vet\u00ebm teknik\u00ebn, por edhe etik\u00ebn e profesionit.<\/p>\n\n\n\n

Rolet q\u00eb l\u00ebn\u00eb gjurm\u00eb<\/strong><\/p>\n\n\n\n

N\u00eb galerin\u00eb e dhjetra personazheve q\u00eb ka interpretuar, nj\u00eb nga m\u00eb sfiduesit mbetet roli i fundit, ai i Ves\u00ebs n\u00eb dram\u00ebn \u201cGruaja me sirtare\u201d, me tekst t\u00eb Anisa Markarian dhe regji t\u00eb Suela Bakos. Nj\u00eb personazh i nd\u00ebrtuar mbi plag\u00eb t\u00eb thella emocionale dhe p\u00ebrplasje t\u00eb brendshme, q\u00eb e ka detyruar aktoren t\u00eb eksploroj\u00eb dimensione t\u00eb err\u00ebta dhe t\u00eb brishta t\u00eb natyr\u00ebs njer\u00ebzore.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Role t\u00eb tilla, sipas saj, jan\u00eb m\u00eb t\u00eb v\u00ebshtirat, por edhe m\u00eb transformueset. Ato k\u00ebrkojn\u00eb zhveshje emocionale dhe guxim p\u00ebr t\u2019u p\u00ebrballur me an\u00eb t\u00eb vetes q\u00eb shpesh mbeten t\u00eb fshehura. Pik\u00ebrisht n\u00eb k\u00ebto sfida ajo gjen thelbin e profesionit.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Teatri mes liris\u00eb dhe pasiguris\u00eb<\/strong><\/p>\n\n\n\n

E rritur profesionalisht n\u00eb periudh\u00ebn pas diktatur\u00ebs, ndryshimit t\u00eb regjimeve, Marjanaku e ka p\u00ebrjetuar nga af\u00ebr transformimin e teatrit dhe kinematografis\u00eb shqiptare. N\u00ebse dikur arti ishte i kufizuar nga ideologjia, sot ai g\u00ebzon m\u00eb shum\u00eb liri shprehjeje. Megjithat\u00eb, kjo liri shoq\u00ebrohet me sfida t\u00eb tjera, ve\u00e7an\u00ebrisht ekonomike.<\/p>\n\n\n\n

Me optimiz\u00ebm, ajo v\u00ebren faktin q\u00eb kinematografia shqiptare po fiton gjithnj\u00eb e m\u00eb shum\u00eb hap\u00ebsir\u00eb n\u00eb festivale nd\u00ebrkomb\u00ebtare, duke e par\u00eb k\u00ebt\u00eb si nj\u00eb shenj\u00eb shprese. Por, sipas saj, arti ka nevoj\u00eb p\u00ebr mb\u00ebshtetje t\u00eb q\u00ebndrueshme dhe investim afatgjat\u00eb, n\u00eb m\u00ebnyr\u00eb q\u00eb artist\u00ebt t\u00eb mund t\u00eb krijojn\u00eb, aktrojn\u00eb me dinjitet dhe stabilitet.<\/p>\n\n\n\n

P\u00ebrzgjedhja e roleve<\/strong><\/p>\n\n\n\n

Mimoza Marjanaku e jeton sken\u00ebn si nj\u00eb vend ku emocionet b\u00ebhen t\u00eb dukshme dhe ku \u00e7do rol \u00ebsht\u00eb nj\u00eb udh\u00ebtim personal. Si aktore, ajo ka interpretuar role t\u00eb ndryshme q\u00eb kan\u00eb l\u00ebn\u00eb gjurm\u00eb tek publiku, duke treguar aft\u00ebsin\u00eb e saj p\u00ebr t\u00eb sjell\u00eb realitete dhe ndjenj\u00eb n\u00eb interpretim. N\u00eb p\u00ebrzgjedhjen e roleve, aktorja tregon se nuk \u00ebsht\u00eb e hapur ndaj \u00e7do oferte. Ajo k\u00ebrkon thelb, nj\u00eb arsye ekzistence p\u00ebr personazhin dhe kompleksitet emocional. E t\u00ebrheqin figurat me drit\u00eb-hije, karakteret q\u00eb trazojn\u00eb dhe sfidojn\u00eb, q\u00eb e detyrojn\u00eb t\u00eb dal\u00eb nga zona e rehatis\u00eb, si artiste dhe si njeri.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n

P\u00ebr t\u00eb, marr\u00ebdh\u00ebnia me publikun \u00ebsht\u00eb thelb\u00ebsore. Teatri \u00ebsht\u00eb dialog. Nj\u00eb shk\u00ebmbim energjish q\u00eb ndodh n\u00eb koh\u00eb reale. Duartrokitjet jan\u00eb vler\u00ebsim q\u00eb t\u00eb mbush, plot\u00ebson, por jo q\u00ebllim n\u00eb vetvete. N\u00eb qend\u00ebr mbetet gjithmon\u00eb ndershm\u00ebria, v\u00ebrtet\u00ebsia me rolin.<\/p>\n\n\n\n

N\u00eb nj\u00eb realitet ku arti shpesh p\u00ebrballet me pasiguri, Mimoza Marjanaku mendon se sken\u00ebs shqiptare i mungon m\u00eb shum\u00eb siguria strukturore dhe mb\u00ebshtetja afatgjat\u00eb p\u00ebr artist\u00ebt. P\u00ebr k\u00ebt\u00eb arsye, k\u00ebshilla e saj p\u00ebr brezin e ri \u00ebsht\u00eb e drejtp\u00ebrdrejt\u00eb: t\u00eb mos e romantizojn\u00eb profesionin.<\/p>\n\n\n\n

Aktrimi k\u00ebrkon disiplin\u00eb, sakrifica dhe q\u00ebndrueshm\u00ebri. K\u00ebrkon p\u00ebrkushtim edhe n\u00eb momentet kur dritat fiken dhe pasiguria b\u00ebhet m\u00eb e fort\u00eb. \u201cN\u00ebse ndjenja p\u00ebr sken\u00ebn \u00ebsht\u00eb m\u00eb e fort\u00eb se frika, at\u00ebher\u00eb ia vlen \u00e7do p\u00ebrpjekje\u201d, thot\u00eb ajo.<\/p>\n\n\n\n

Sepse, n\u00eb fund, materiali m\u00eb i madh i aktorit mbetet vet\u00eb njeriu, p\u00ebrvoja q\u00eb mbart, plag\u00ebt q\u00eb ka kaluar dhe e v\u00ebrteta q\u00eb arrin t\u00eb ndaj\u00eb me publikun. Dhe pik\u00ebrisht n\u00eb k\u00ebt\u00eb t\u00eb v\u00ebrtet\u00eb, Mimoza Marjanaku vazhdon t\u00eb ngrej\u00eb identitetin e saj artistik, rol pas roli.P\u00ebr Mimoza Marjanakun, skena, apo ekrani nuk \u00ebsht\u00eb vet\u00ebm nj\u00eb vend pune, por nj\u00eb hap\u00ebsir\u00eb ku jeta dhe arti bashkohen. P\u00ebrmes \u00e7do roli, ajo tregon se pasioni, p\u00ebrkushtimi dhe talenti nuk njohin kufij.<\/p>\n\n\n\n

Intervista me aktoren Mimoza Marjanaku<\/strong><\/p>\n\n\n\n

Rrug\u00ebtimi juaj n\u00eb aktrim ka nisur vite m\u00eb par\u00eb. Cilat kan\u00eb qen\u00eb momentet ky\u00e7e q\u00eb kan\u00eb formuar identitetin tuaj artistik?<\/strong><\/p>\n\n\n\n

Rrug\u00ebtimi im n\u00eb aktrim nuk ka qen\u00eb nj\u00eb vij\u00eb e drejt\u00eb, por nj\u00eb proces i vazhduesh\u00ebm zbulimi. Moment ky\u00e7 ka qen\u00eb kontakti i par\u00eb me sken\u00ebn, ajo ndjesi e paz\u00ebvend\u00ebsueshme kur dritat ndizen dhe heshtja e sall\u00ebs b\u00ebhet frym\u00eb. Dhe nuk do ta harroj q\u00eb kam qen\u00eb n\u00eb sken\u00eb me Yllka Mujon dhe Guljelm Radoj\u00ebn. M\u00eb pas, \u00e7do rol q\u00eb m\u00eb ka nxjerr\u00eb nga zona e rehatis\u00eb ka ndikuar n\u00eb formimin tim. Kam m\u00ebsuar se identiteti artistik nuk krijohet vet\u00ebm nga suksesi, por edhe nga d\u00ebshtimet, nga dyshimet dhe nga puna e p\u00ebrditshme me veten.<\/p>\n\n\n\n

Cili rol ka qen\u00eb m\u00eb sfidues p\u00ebr ju, jo vet\u00ebm profesionalisht, por edhe emocionalisht?<\/strong><\/p>\n\n\n\n

Roli m\u00eb sfidues ka qen\u00eb ai q\u00eb m\u00eb ka detyruar t\u00eb p\u00ebrballem me plag\u00eb t\u00eb r\u00ebnda. Ka personazhe q\u00eb nuk i luan thjesht, por i jeton. Kur nj\u00eb rol prek dimensione t\u00eb thella njer\u00ebzore, ai t\u00eb ndjek edhe pasi bie perdja. Emocionalisht jan\u00eb m\u00eb t\u00eb v\u00ebshtir\u00ebt, por nj\u00ebkoh\u00ebsisht edhe m\u00eb transformuesit. I till\u00eb ishte roli i Veses n\u00eb dram\u00ebn \u201cGruaja me sirtare\u201d, i shkruar nga Anisa Markarian dhe me regji t\u00eb Suela Bakos.<\/p>\n\n\n\n

Sa ka ndryshuar teatri dhe kinematografia shqiptare q\u00eb nga fillimet tuaja deri m\u00eb sot?<\/strong><\/p>\n\n\n\n

Un\u00eb i p\u00ebrkas periudh\u00ebs pas diktatur\u00ebs, ku p\u00ebr hir t\u00eb s\u00eb v\u00ebrtet\u00ebs teatri dhe kinematografia, duke qen\u00eb arm\u00eb ideologjike t\u00eb sistemit, ishin prioritete. Por p\u00ebrs\u00ebri ndryshimi \u00ebsht\u00eb i duksh\u00ebm. Nga nj\u00eb periudh\u00eb me m\u00eb pak mund\u00ebsi teknike dhe hap\u00ebsira krijuese, kemi kaluar n\u00eb nj\u00eb koh\u00eb me m\u00eb shum\u00eb liri dhe eksperimentim. Megjithat\u00eb, sfidat mbeten, sidomos mes realitetit ekonomik dhe nevoj\u00ebs p\u00ebr art cil\u00ebsor. Kinematografia shqiptare po gjen gjithnj\u00eb e m\u00eb shum\u00eb z\u00eb n\u00eb festivale nd\u00ebrkomb\u00ebtare, \u00e7ka \u00ebsht\u00eb shenj\u00eb shprese, por edhe thirrje e fuqishme p\u00ebr investim.<\/p>\n\n\n\n

\u00c7far\u00eb k\u00ebrkoni tek nj\u00eb personazh p\u00ebr ta pranuar si sfid\u00eb artistike? <\/strong><\/p>\n\n\n\n

Sigurisht nuk jam e hapur ndaj \u00e7do roli pa kriter. K\u00ebrkoj nj\u00eb arsye pse ai personazh ekziston. M\u00eb t\u00ebrheqin figurat me drit\u00eb-hije, jo karakteret e nj\u00ebanshme. Nj\u00eb personazh duhet t\u00eb m\u00eb trazoj\u00eb, t\u00eb m\u00eb b\u00ebj\u00eb pyetje, t\u00eb m\u00eb sfidoj\u00eb si artiste dhe si njeri.<\/p>\n\n\n\n

Si e p\u00ebrjetoni marr\u00ebdh\u00ebnien me publikun dhe sa ndikojn\u00eb reagimet e tij n\u00eb pun\u00ebn tuaj?<\/strong><\/p>\n\n\n\n

Marr\u00ebdh\u00ebnia me publikun \u00ebsht\u00eb thelb\u00ebsore. Teatri \u00ebsht\u00eb dialog, jo monolog. Energjia q\u00eb vjen nga salla \u00ebsht\u00eb e pakrahasueshme. Reagimet ndikojn\u00eb, sigurisht, por p\u00ebrpiqem t\u00eb mos udh\u00ebhiqem vet\u00ebm prej tyre. Duartrokitjet jan\u00eb t\u00eb bukura, por m\u00eb e r\u00ebnd\u00ebsishme \u00ebsht\u00eb ndershm\u00ebria me rolin dhe me veten.<\/p>\n\n\n\n

N\u00eb nj\u00eb koh\u00eb kur arti p\u00ebrballet me sfida t\u00eb reja, \u00e7far\u00eb mendoni se i mungon m\u00eb shum\u00eb sken\u00ebs sot?<\/strong><\/p>\n\n\n\n

Mendoj se i mungon m\u00eb shum\u00eb siguria dhe mb\u00ebshtetja afatgjat\u00eb. Artist\u00ebt shpesh punojn\u00eb n\u00eb pasiguri t\u00eb vazhdueshme.<\/p>\n\n\n\n

N\u00ebse do t\u2019i jepnit nj\u00eb k\u00ebshill\u00eb brezit t\u00eb ri t\u00eb aktoreve, cila do t\u00eb ishte ajo?<\/strong><\/p>\n\n\n\n

Do t\u2019u thosha: Shum\u00eb t\u00eb dashur djem e vajza, mos e romantizoni profesionin. Aktrimi \u00ebsht\u00eb pasion, por \u00ebsht\u00eb edhe disiplin\u00eb e hekurt. Ka sakrifica, ka pasiguri, ka momente kur mendon t\u00eb heq\u00ebsh dor\u00eb. Por n\u00ebse ndjenja p\u00ebr sken\u00ebn \u00ebsht\u00eb m\u00eb e fort\u00eb se frika, at\u00ebher\u00eb ia vlen \u00e7do p\u00ebrpjekje. T\u00eb punojn\u00eb me veten, t\u00eb lexojn\u00eb, t\u00eb v\u00ebzhgojn\u00eb jet\u00ebn, sepse materiali m\u00eb i madh i aktorit \u00ebsht\u00eb vet\u00eb njeriu. Dhe mbi t\u00eb gjitha, t\u00eb ruajn\u00eb dinjitetin e tyre artistik.<\/p>\n\n\n\n

Vali Qyrfy\u00e7i<\/strong><\/p>\n\n\n\n

\u00a9\ufe0fz\u00ebrionline<\/p>\n","protected":false},"excerpt":{"rendered":"

Kur dritat ndizen mbr\u00ebmjeve p\u00ebr t\u00eb rr\u00ebfyer histori njer\u00ebzore, n\u00eb sken\u00ebn e Durr\u00ebsit, z\u00ebri artistik i Mimoza Marjanakut mbetet nj\u00eb prani e q\u00ebndrueshme dhe leht\u00ebsisht e dallueshme. Aktorja i p\u00ebrket atij brezi q\u00eb u formua n\u00eb vitet e tranzicionit, n\u00eb nj\u00eb koh\u00eb kur teatri shqiptar po p\u00ebrjetonte ndryshime t\u00eb forta estetike dhe institucionale. Mes pasigurive […]<\/p>\n","protected":false},"author":2,"featured_media":15750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-15746","post","type-post","status-publish","format-standard","has-post-thumbnail","category-imazh"],"yoast_head":"\nAktorja Mimoza Marjanaku: \u201cRolin nuk e luaj, e jetoj\u201d - Zeri Online<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/zeri-online.com\/index.php\/2026\/03\/06\/aktorja-mimoza-marjanaku-rolin-nuk-e-luaj-e-jetoj\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aktorja Mimoza Marjanaku: \u201cRolin nuk e luaj, e jetoj\u201d - Zeri Online\" \/>\n<meta property=\"og:description\" content=\"Kur dritat ndizen mbr\u00ebmjeve p\u00ebr t\u00eb rr\u00ebfyer histori njer\u00ebzore, n\u00eb sken\u00ebn e Durr\u00ebsit, z\u00ebri artistik i Mimoza Marjanakut mbetet nj\u00eb prani e q\u00ebndrueshme dhe leht\u00ebsisht e dallueshme. Aktorja i p\u00ebrket atij brezi q\u00eb u formua n\u00eb vitet e tranzicionit, n\u00eb nj\u00eb koh\u00eb kur teatri shqiptar po p\u00ebrjetonte ndryshime t\u00eb forta estetike dhe institucionale. 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