N\u00eb galerin\u00eb e artit t\u00eb pavdeksh\u00ebm, pak vepra mbartin nj\u00eb enigm\u00eb aq t\u00eb thell\u00eb sa \u201cZonja me hermelin\u00eb\u201d e Leonardo da Vin\u00e7it. M\u00eb shum\u00eb sesa nj\u00eb piktur\u00eb, ajo \u00ebsht\u00eb nj\u00eb rr\u00ebfim i heshtur, nj\u00eb dialog mes artit dhe shpirtit t\u00eb nj\u00eb gruaje t\u00eb jasht\u00ebzakonshme: Cecilia Gallerani. <\/p>\n\n\n\n
N\u00eb k\u00ebt\u00eb portret, Leonardo nuk p\u00ebrshkruan thjesht nj\u00eb grua t\u00eb re, por nj\u00eb mendje t\u00eb gjall\u00eb, nj\u00eb inteligjenc\u00eb q\u00eb e kalon koh\u00ebn e saj. Cecilia, e re dhe e bukur, ishte e dashura e Ludovico Sforz\u00ebs, Duka i Milanos, nj\u00eb pozit\u00eb sa e privilegjuar, aq edhe e pasigurt. Fytyra e saj tregon nj\u00eb ndjenj\u00eb dualiteti: ambicie dhe vet\u00ebdije, brisht\u00ebsi dhe forc\u00eb. V\u00ebshtrimi i saj i kthyer drejt nj\u00eb pike t\u00eb padukshme p\u00ebr shikuesin, duket sikur fsheh nj\u00eb t\u00eb v\u00ebrtet\u00eb q\u00eb ajo e kupton, por nuk e thot\u00eb. <\/p>\n\n\n\n
Hermelina: nj\u00eb metafor\u00eb e dyfisht\u00eb <\/p>\n\n\n\n
N\u00eb duart e saj ajo mban nj\u00eb hermelin\u00eb t\u00eb bardh\u00eb, nj\u00eb simbol i past\u00ebrtis\u00eb dhe aristokracis\u00eb, por edhe nj\u00eb referenc\u00eb e drejtp\u00ebrdrejt\u00eb ndaj Ludovikos, i cili mbante titullin \u201cKalor\u00ebsi i Ermelin\u00ebs\u201d. Megjithat\u00eb, nuk \u00ebsht\u00eb kafsha q\u00eb e kontrollon at\u00eb, por ajo e mban n\u00ebn duart e saj, me nj\u00eb p\u00ebrzierje but\u00ebsie dhe force, nj\u00eb metafor\u00eb e fuqishme p\u00ebr rolin e saj n\u00eb nj\u00eb bot\u00eb t\u00eb sunduar nga burrat. <\/p>\n\n\n\n
Hermelina gjithashtu mund t\u00eb lidhet me mbiemrin e saj, Gallerani, pasi n\u00eb greqishten e vjet\u00ebr fjala p\u00ebr k\u00ebt\u00eb kafsh\u00eb \u00ebsht\u00eb \u201cgal\u00e9\u201d (\u03b3\u03b1\u03bb\u1fc6). Ky kompleks simbolik e b\u00ebn portretin nj\u00eb kod t\u00eb fshehur t\u00eb marr\u00ebdh\u00ebnieve t\u00eb saj me fuqin\u00eb dhe statusin. <\/p>\n\n\n\n
Leonardo dhe arti i s\u00eb padukshmes <\/p>\n\n\n\n
Leonardo da Vin\u00e7i, nj\u00eb njeri i vizioneve dhe enigmave, nuk ishte thjesht nj\u00eb piktor. Ai ishte nj\u00eb filozof, shpik\u00ebs dhe poet i shpirtit. Ai e portretizon Cecilia-n jo si nj\u00eb figur\u00eb t\u00eb zakonshme t\u00eb oborrit, por si nj\u00eb grua me nj\u00eb mendje t\u00eb lir\u00eb, t\u00eb aft\u00eb t\u00eb p\u00ebrshtatet pa u n\u00ebnshtruar. <\/p>\n\n\n\n
Tensioni mes bot\u00ebs s\u00eb jashtme dhe nj\u00eb universi m\u00eb autentik \u00ebsht\u00eb pothuajse i preksh\u00ebm. N\u00eb k\u00ebt\u00eb vep\u00ebr, Leonardo shpalos artin e tij m\u00eb t\u00eb lart\u00eb: ai nuk e portretizon thjesht Cecilia-n, por e b\u00ebn at\u00eb t\u00eb flas\u00eb pa fjal\u00eb, p\u00ebrmes v\u00ebshtrimit, p\u00ebrmes q\u00ebndrimit, p\u00ebrmes m\u00ebnyr\u00ebs se si e prek hermelin\u00ebn. <\/p>\n\n\n\n
Nj\u00eb rebelim i heshtur <\/p>\n\n\n\n
Cecilia nuk ishte nj\u00eb rebele n\u00eb kuptimin klasik, por ajo dinte si ta kthente n\u00ebnshtrimin n\u00eb nj\u00eb form\u00eb pushteti personal. Leonardo e kap k\u00ebt\u00eb gjendje t\u00eb nd\u00ebrmjetme, duke e paraqitur at\u00eb jo si plot\u00ebsisht t\u00eb n\u00ebnshtruar, por as plot\u00ebsisht t\u00eb lir\u00eb, nj\u00eb ekuilib\u00ebr i p\u00ebrsosur mes pranimit dhe sfid\u00ebs. <\/p>\n\n\n\n
\u201cZonja me hermelin\u00eb\u201d \u00ebsht\u00eb m\u00eb shum\u00eb se nj\u00eb piktur\u00eb: ajo \u00ebsht\u00eb nj\u00eb mesazh. Nj\u00eb kujtes\u00eb se, edhe n\u00eb realitetet m\u00eb t\u00eb kufizuara, gjithmon\u00eb ka nj\u00eb hap\u00ebsir\u00eb p\u00ebr lirin\u00eb. Dhe ndonj\u00ebher\u00eb, duhet ta k\u00ebrkosh at\u00eb n\u00eb detajet m\u00eb t\u00eb imta, si\u00e7 b\u00ebri Leonardo.<\/p>\n\n\n\n
\u00a9\ufe0fz\u00ebrionline<\/p>\n","protected":false},"excerpt":{"rendered":"
N\u00eb galerin\u00eb e artit t\u00eb pavdeksh\u00ebm, pak vepra mbartin nj\u00eb enigm\u00eb aq t\u00eb thell\u00eb sa \u201cZonja me hermelin\u00eb\u201d e Leonardo da Vin\u00e7it. M\u00eb shum\u00eb sesa nj\u00eb piktur\u00eb, ajo \u00ebsht\u00eb nj\u00eb rr\u00ebfim i heshtur, nj\u00eb dialog mes artit dhe shpirtit t\u00eb nj\u00eb gruaje t\u00eb jasht\u00ebzakonshme: Cecilia Gallerani. N\u00eb k\u00ebt\u00eb portret, Leonardo nuk p\u00ebrshkruan thjesht nj\u00eb grua […]<\/p>\n","protected":false},"author":2,"featured_media":4826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-4841","post","type-post","status-publish","format-standard","has-post-thumbnail","category-kulture"],"yoast_head":"\n